This evening, the prizes of the 18th Zurich Film Festival (ZFF) were presented during the Award Night at Zurich Opera House. The festival's main awards were given in three competition categories: A Golden Eye goes to each of the films CASCADEUSES by Elena Avdija, LOS REYES DEL MUNDO by Laura Mora Ortega and SAM NOW by Reed Harkness.
The Award Night of the 18th Zurich Film Festival took place on Saturday, October 1 at Zurich Opera House. Comprising three separate categories, the International Competition forms the core of the Festival. The ZFF competition showcases films by young, promising filmmakers who compete with their first, second or third directorial works for the festival's most prestigious award, the Golden Eye, which is endowed with a CHF 25'000 cash prize. Every film selected for the three competition categories is either a world, European or Swiss premiere. In addition to the three main categories, numerous other prizes were also presented, including the ZFF for Kids' Jury Prize and the Audience Award.
Christian Jungen, artistic director of the ZFF explained in his speech: "The strong increase in the number of admissions for films in competition is gratifying. This shows that the audience is curious and has a desire to discover new filmmakers and that auteur cinema is alive."
The following is a list of the winning films of the 18th Zurich Film Festival.
Focus Competition: CASCADEUSES
This category focusses on films from Switzerland, Germany and Austria. The winner of the Golden Eye in the category this year is CASCADEUSES by Elena Avdija.
They are hit by cars, have to dive 70 meters into the depths and absorb many a hard blow. For professional stuntwomen Virginie, Petra and Estelle, this is all in a day's work. In order to perform physically demanding scenes for film and television, they undergo rigorous daily training. But in the male-dominated film industry, stereotypical portrayals of vulnerable women on screen are still common, and even stuntwomen often find themselves in the roles of female victims, while male colleagues embody perpetrators or heroes. In her debut feature, filmmaker Elena Avdija sheds light on an exciting and hard-hitting business in which female actors all too often remain in the shadows. Jury statement: The Focus Competition jury is delighted to award the Golden Eye to CASCADEUSES for it’s beautiful direction and strong cinematography, for its wonderful sense of cinematic rhythm and its respect for its characters. The film gives us an unsentimental view into a world that we never get to see. We cannot wait to see what Elena Avdija will do next! Special Mention: FOUDRE by Carmen Jaquier
Jury:
Christine Vachon (jury president) / director, producer / USA Fred Baillif / director, screenwriter / Switzerland Katharina Mückstein / director, screenwriter / Austria Maria Fantastica Valmori / cutter / Italy Roger Schawinski / journalist, presenter / Switzerland
Feature Film Competition: LOS REYES DEL MUNDO
The 18th Zurich Film Festival’s Golden Eye for Best Feature Film goes to LOS REYES DEL MUNDO by Laura Mora Ortega.
Young Rá lives on the streets of Medellin with his friends Culebro, Sere, Winny and Nano. But hope is in sight for the gang: The government has granted Rá the right to a piece of land from which his family, like thousands of other Colombians, was once driven off by the paramilitaries. And so, the bunch sets off on the dangerous trip into the Colombian hinterland. It is the beginning of an exciting journey that oscillates between adventure and delirium. Set against the backdrop of Columbia's spectacular nature, director Laura Mora tells in breath-taking, immersive images and mystical dream sequences of the search by five stray good-for-nothings for happiness and justice.
Jury statement: The movie was one of the first films we saw and it left us with unforgettable images and scenes. LOS REYES DEL MUNDO is meticulously crafted and brings us close to the young protagonists who fight for freedom and dignity. The lyrical film language infuses the harsh reality with a metaphysical dimension. It’s an important and powerful story about the marginalized in society.
Special Mention: WAR PONY by Gina Gammell and Riley Keough, and UNTIL TOMORROW / TA FARDA by Ali Asgari Jury: Asghar Farhadi (jury president) / director / Iran Clio Barnard / director / UK Daniel Dreifuss / producer / USA, Brazil Petra Volpe / director, screenwriter / Switzerland Piodor Gustafsson / producer/ Sweden
Documentary Film Competition: SAM NOW
The Golden Eye in the Documentary Film Competition category goes to SAM NOW by Reed Harkness.
Half-brothers Sam and Reed have always made movies together. Even back when Sam was 14 and his mother left the family one day without any explanation. While father, grandmother and aunts keep silent for years about what happened, and brother Jared loses his drive for life, Sam seems to suffer no pain. Until Reed suggests he go find his mother. What follows is a road trip through Washington, Oregon and California – the beginning of an emotional roller coaster. Using his own Super 8 footage and home movies from his rich family archive, filmmaker Reed Harkness tells with subtle humour of the wounds of separation and the power of reconciliation.
Jury statement: This film stood out to all of us as the finest that cinema can do. Which is sending the viewer on a journey of introspection and questioning of human life and human relationships. In our crazy and collapsing world, being able to understand, accept and reach for the others is certainly crucial to remember. Thanks to this wonderful filmmakers and their family, for their courage to share their journey of pain and healing with us.
Special Mention: THE NEW GREATNESS CASE by Anna Shishova and THE KILLING OF A JOURNALIST by Matt Sarnecki Jury:
Alexander Nanau (jury president) / director, screenwriter, cameraman / Germany, Rumania Atanas Georgiev / producer, director, cutter / North Macedonia Joëlle Bertossa / producer, director / Switzerland Nina Numankadić / producer / Czech Republic Sushmit Ghosh / director / India
The Award Night of the 18th Zurich Film Festival took place on Saturday, October 1 at Zurich Opera House. Comprising three separate categories, the International Competition forms the core of the Festival. The ZFF competition showcases films by young, promising filmmakers who compete with their first, second or third directorial works for the festival's most prestigious award, the Golden Eye, which is endowed with a CHF 25'000 cash prize. Every film selected for the three competition categories is either a world, European or Swiss premiere. In addition to the three main categories, numerous other prizes were also presented, including the ZFF for Kids' Jury Prize and the Audience Award.
Christian Jungen, artistic director of the ZFF explained in his speech: "The strong increase in the number of admissions for films in competition is gratifying. This shows that the audience is curious and has a desire to discover new filmmakers and that auteur cinema is alive."
The following is a list of the winning films of the 18th Zurich Film Festival.
Focus Competition: CASCADEUSESThis category focusses on films from Switzerland, Germany and Austria. The winner of the Golden Eye in the category this year is CASCADEUSES by Elena Avdija.
They are hit by cars, have to dive 70 meters into the depths and absorb many a hard blow. For professional stuntwomen Virginie, Petra and Estelle, this is all in a day's work. In order to perform physically demanding scenes for film and television, they undergo rigorous daily training. But in the male-dominated film industry, stereotypical portrayals of vulnerable women on screen are still common, and even stuntwomen often find themselves in the roles of female victims, while male colleagues embody perpetrators or heroes. In her debut feature, filmmaker Elena Avdija sheds light on an exciting and hard-hitting business in which female actors all too often remain in the shadows. Jury statement: The Focus Competition jury is delighted to award the Golden Eye to CASCADEUSES for it’s beautiful direction and strong cinematography, for its wonderful sense of cinematic rhythm and its respect for its characters. The film gives us an unsentimental view into a world that we never get to see. We cannot wait to see what Elena Avdija will do next! Special Mention: FOUDRE by Carmen Jaquier
Jury:
Christine Vachon (jury president) / director, producer / USA Fred Baillif / director, screenwriter / Switzerland Katharina Mückstein / director, screenwriter / Austria Maria Fantastica Valmori / cutter / Italy Roger Schawinski / journalist, presenter / Switzerland
Feature Film Competition: LOS REYES DEL MUNDOThe 18th Zurich Film Festival’s Golden Eye for Best Feature Film goes to LOS REYES DEL MUNDO by Laura Mora Ortega.
Young Rá lives on the streets of Medellin with his friends Culebro, Sere, Winny and Nano. But hope is in sight for the gang: The government has granted Rá the right to a piece of land from which his family, like thousands of other Colombians, was once driven off by the paramilitaries. And so, the bunch sets off on the dangerous trip into the Colombian hinterland. It is the beginning of an exciting journey that oscillates between adventure and delirium. Set against the backdrop of Columbia's spectacular nature, director Laura Mora tells in breath-taking, immersive images and mystical dream sequences of the search by five stray good-for-nothings for happiness and justice.
Jury statement: The movie was one of the first films we saw and it left us with unforgettable images and scenes. LOS REYES DEL MUNDO is meticulously crafted and brings us close to the young protagonists who fight for freedom and dignity. The lyrical film language infuses the harsh reality with a metaphysical dimension. It’s an important and powerful story about the marginalized in society.
Special Mention: WAR PONY by Gina Gammell and Riley Keough, and UNTIL TOMORROW / TA FARDA by Ali Asgari Jury: Asghar Farhadi (jury president) / director / Iran Clio Barnard / director / UK Daniel Dreifuss / producer / USA, Brazil Petra Volpe / director, screenwriter / Switzerland Piodor Gustafsson / producer/ Sweden
Documentary Film Competition: SAM NOWThe Golden Eye in the Documentary Film Competition category goes to SAM NOW by Reed Harkness.
Half-brothers Sam and Reed have always made movies together. Even back when Sam was 14 and his mother left the family one day without any explanation. While father, grandmother and aunts keep silent for years about what happened, and brother Jared loses his drive for life, Sam seems to suffer no pain. Until Reed suggests he go find his mother. What follows is a road trip through Washington, Oregon and California – the beginning of an emotional roller coaster. Using his own Super 8 footage and home movies from his rich family archive, filmmaker Reed Harkness tells with subtle humour of the wounds of separation and the power of reconciliation.
Jury statement: This film stood out to all of us as the finest that cinema can do. Which is sending the viewer on a journey of introspection and questioning of human life and human relationships. In our crazy and collapsing world, being able to understand, accept and reach for the others is certainly crucial to remember. Thanks to this wonderful filmmakers and their family, for their courage to share their journey of pain and healing with us.
Special Mention: THE NEW GREATNESS CASE by Anna Shishova and THE KILLING OF A JOURNALIST by Matt Sarnecki Jury:
Alexander Nanau (jury president) / director, screenwriter, cameraman / Germany, Rumania Atanas Georgiev / producer, director, cutter / North Macedonia Joëlle Bertossa / producer, director / Switzerland Nina Numankadić / producer / Czech Republic Sushmit Ghosh / director / India
On stage, Cole is a celebrated rapper, but in his private life, the exhausted musician throws himself into a frenzy of wild excess. He leaves his little daughter hanging just like he does everybody else around him. In this semi-autobiographical drama, pop star and leading man Colson Baker, better known as Machine Gun Kelly, shows himself to the public as intimate and vulnerable as never before. Alongside co-star Megan Fox, he allows us to peer into the abysses of celebrity culture.
As a gifted singer, 17-year-old Tim receives a scholarship to the legendary Mozart boarding school in Austria. There he discovers a centuries-old portal that whisks him away into the fantastical world of Mozart's "The Magic Flute". Here, as Prince Tamino, he must rescue Princess Pamina from the clutches of Sarastros night after night, while during the day, as Tim, he attempts to land the coveted lead role in the school's annual performance – a magical movie experience!
In 1968, musician Irmin Schmidt and friends founded the avant-garde band "Can", which achieved worldwide fame thanks to hits such as "Vitamin C" and "She Brings The Rain". Due to their experimental sound and the non-existent hierarchies within the band, they were soon considered revolutionary and shaped generations of musicians. Presenting their music as an optical symphony, this documentary is an ode to the unconformity, spontaneity and vision of an extraordinary band.
